Hi
peeps,
Continuing on with my posts about The
Writing, here’s a little bit on Characters.
Characters are the lifeblood of a story. If
you cannot get your reader to emotionally engage with your characters, most
especially your protagonists, then you are in deep, deep trouble. My job as an
author is to make my characters compelling. I have to make you peeps love the
characters of my stories, or love to hate them.
Either way, you should be so totally emotionally invested that nothing
will stop you from FINDING OUT WHAT HAPPENS. NOTHING. Not the threat of a
tsunami. Not a nuclear holocaust. Not that Game of Thrones is back on TV and
OHMIGODWHATSHAPPENINGWITHARYAANDDANYANDJONANDGODALMIGHTYIWANTTOSLAPJOFFREYSOMETHINGFIERCE
Ahem.
Sorry about that. Perhaps I’m a tad excited Game of Thrones is back on the
telly.
Anyway, your characters don’t have to be
likeable. In fact, the reader can completely despise them but—and this is a big
BUT—if they despise your character, it’s because this is what you have
intended. Your protagonist can be the biggest tool in the universe, and the
reader can absolutely loathe them,
but there has to be that special something that makes your reader want to find
out what happens.
Think of Hamlet. Oh my word, what a whiny
do-nothing of a character. Should I kill my step-dad? Should I? I don’t know.
Oh, I should drive my girlfriend crazy. I should pretend to be crazy!
But should I kill my step-dad? Maybe I’ll kill this other guy…But then there is
my step-dad. Should I kill him?
Wow. Just…Wow. And yet, such a character is
compelling. We want to know what he finally decides, even as we are morbidly
fascinated with watching the trainwreck before us. This is because Shakespeare
has made it compelling. Hamlet is a complex enough as a character that we
understand his point of view, even if we don’t agree with it. And that understanding, dear peeps, is
crucial.
To make characters complex, we must
understand that no one, ever, is wholly good or wholly evil. The villain of the
piece will have one redeeming feature, even as the heroine of a story will have
a dark side, albeit perhaps an extremely sunny dark side.
A character is more interesting because of
their flaws, not because of their perfection. It’s hard to give your character
flaws, to make them less than perfect, but you must if you what them to be
believable and relatable. Put them
through hell and your readers will love you for it!
Joss Whedon, he who is God of the Writings,
has intoned in scripture (or maybe it was a DVD commentary) Don't give
people what they want, give them what they need. Kill off that beloved
character, make your hero dump your heroine, have your heroine betray your
hero. Your readers will wail and scream, but you can be sure they will be glued
to the page.
So, the take home message: Brave the darker
recesses of your creative nature. Make characters flawed, and you will have a
richly textured story with living, breathing characters your readers will love
– or love to hate!
Thanks for hanging with me, peeps!
Christmas in
Freewill
Christmas Eve,
the Diamond Saloon is empty of its people, and Pearl la Monte has a hankering
to retire early. A pounding at the Diamond’s door rids her of such a fool
notion. Her irritation rises when she sees the prissy, polite-like Garrett
standing outside.
Ethan Garrett
has a powerful need to gain succor. When the saloon’s voluptuous redheaded
singer scowls at him from the threshold of the Diamond, he doesn’t stop to
think on how his ire at her has disappeared. Or how he just wants to spend some
time in her company.
When a
blizzard storms in, trapping them, will they spend their time arguing or find
their irritation for each other disguises something more?
Available
from Decadent
Publishing
Amazon.com ~ Amazon.co.uk ~ All
Romance eBooks ~ Book
Depository ~ iTunes
Australia ~ Barnes & Noble
Excerpt:
Turning on her heel, Pearl marched off toward the stairs.
A weird kind of panic jolted through Ethan, one he’d
never felt before in all his days. It was…he didn’t…. She couldn’t leave him.
“Where are you going?”
She whirled to face him, her irritation plain. “I was
seeking my bed before your arrival, and now I’m seeking it again. Help yourself
to whiskey this one time. I got better things to do.”
Shoving to his feet, he strode to her. “Don’t just walk
away when we’re discussing things.”
“We ain’t discussing nothing. You’ll be down here, waiting
out the blizzard. I’ll be in my bed, doing what I was gonna before you arrived.
That’s the end of it.”
Taking a step, she made to leave him. Again.
He grabbed her arm. “Don’t leave me.”
“Don’t tell me what to do.” Glaring at him, she stood
before the bar, her magnificent hair slipping from its pins, her breasts rising
and falling.
Abruptly, his mouth went dry. Clearing his throat some,
he said, “You’re supposed to offer succor to those in need.”
“We’re closed, remember?” Paint-less lips pressed tight
together, she glared up at him.
They were so close he could see the faint marks of
freckles on her skin.
Pearl La Monte had freckles.
A kind of haze came over him, tightening his skin and
bringing with it something all-fired powerful and completely unstoppable. All
the years he’d known her crashed through him, all the times she’d flirted with
him and meant something else, all the times he’d seen her perform on stage and
wished he could have held such fire.
Grabbing her upper arms, he hauled her against him and,
ignoring her shocked gasp, he covered her mouth with his.
Bio:
Cassandra grew up daydreaming, inventing fantastical
worlds and marvelous adventures. Once she learned to read (First phrase – To
the Beach. True story), she was never without a book, reading of other people’s
fantastical worlds and marvelous adventures.
Fairy tales, Famous Fives, fantasies and fancies; horror
stories, gumshoe detectives, science fiction; Cassandra read it all. Then she
discovered Romance and a true passion was born.
So, once upon a time, after making a slight detour into
the world of finance, Cassandra tried her hand at writing. After a brief foray
into horror, she couldn’t discount her true passion. She started to write
Romance and fell head over heels.
The love affair exists to this very day.
Cassandra lives in Adelaide, South Australia.
3 comments:
I agree that characters should be flawed. They are more relatable then, and we cheer for them more to succeed. :)
That's exactly it, Jessica. Flawed characters are so much more interesting, in my opinion. After all, a story is a journey from what is lacking to filling the lack...if that makes sense? ;)
I love the extract!!!! And yes, they have to be flawed = far more interesting.
Post a Comment